Selected works by Kaitlin Chan

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Pedestrian, 2017, charcoal and pastel on paper, eleven drawings installed in Ezra and Cecile Gallery of Wesleyan University.

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Subway, 2017, charcoal and pastel on paper, 48 x 57 inches.

 
 
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Waiting I (left), Waiting II (right), 2017, charcoal and pastel on paper, 36 x 50 inches and 36 x 53 inches.

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Deep End, 2017, ink on vellum, eleven page (8.27 x 11.69 inches) comic mourning the suicide of the photographer Ren Hang.
Published by the Asian American Writers’ Workshop, March 2018.

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Slow Day, 2018, risograph on paper, sixteen page (5.83 x 8.27 inches) comic about daily life in Hong Kong.

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Lunch Hour, 2018, risograph on paper, twelve page (5.83 x 8.27 inches) comic about workers on their lunch break.

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How to Make Tea, 2016, silkscreen on paper, print with observational drawings of Tokyo pedestrians.

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Tonight, 2017, graphite on paper, six page (5.83 x 8.27 inches) comic about college nightlife.

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Help is on the Way, 2016, silkscreen on paper, twelve page (5.83 x 8.27 inches) comic about commuting from Connecticut to New York.

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Sai Mun Zai, 2018, graphite and watercolor on paper, two page (5.83 x 8.27 inches) comic about gendered Cantonese nicknames.
Published in daikon* zine, January 2018.

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Hours, 2017, watercolor on paper, three page (5.83 x 8.27 inches) wordless comic about early adolescent routines.

 
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Bedroom, 2018, risograph on paper, twelve page (8.27 x 11.69 inches) comic about the rooms I’ve slept in.